The Collector's Edition

Album

Artiste
Benjamin Britten
Année
2008
Pistes
326 · 18:56:46

The Collector's Edition Benjamin Britten

PisteRaretéValeur
1/326 · Sinfonia da Requiem, Op. 20: I. Lacrymosa — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
2/326 · Sinfonia da Requiem, Op. 20: II. Dies irae — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
3/326 · Sinfonia da Requiem, Op. 20: II. Requiem aeternam — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
4/326 · Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: I. Dawn — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
5/326 · Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: II. Sunday Morning — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
6/326 · Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: III. Moonlight — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
7/326 · Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: IV. Passacaglia — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
8/326 · Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: V. Storm — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
9/326 · The Young Person's Guide to the Orchestra, Op. 34: I. Theme: Allegro maestoso e largamente — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
10/326 · The Young Person's Guide to the Orchestra Op.34: Var. A: Flutes and piccolo — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
11/326 · The Young Person's Guide to the Orchestra Op.34: Var. B: Oboes (Lento) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
12/326 · The Young Person's Guide to the Orchestra Op.34: Var. C: Clarinets (Moderato) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
13/326 · The Young Person's Guide to the Orchestra Op.34: Var. D: Bassoons (Allegro alla marcia) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
14/326 · The Young Person's Guide to the Orchestra Op.34: Var. E: Violins (Brillante: alla polacca) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
15/326 · The Young Person's Guide to the Orchestra Op.34: Var. F: Violas (Meno mosso) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
16/326 · The Young Person's Guide to the Orchestra Op.34: Var. G: Cellos — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
17/326 · The Young Person's Guide to the Orchestra Op.34: Var. H: Double basses (Cominciando lento ma poco a poco accel. al Allegro) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
18/326 · The Young Person's Guide to the Orchestra Op.34: Var. I: Harp (Maestoso) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
19/326 · The Young Person's Guide to the Orchestra Op.34: Var. J: Horns (L'istesso tempo) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
20/326 · The Young Person's Guide to the Orchestra Op.34: Var. K: Trumpets (Vivace) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
21/326 · The Young Person's Guide to the Orchestra Op.34: Var L: Trombones and bass tuba (Allegro pomposo) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
22/326 · The Young Person's Guide to the Orchestra, Op. 34: V. The Percussion Var. M (Moderato) — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
23/326 · The Young Person's Guide to the Orchestra, Op. 34: VI. Fugue: Allegro molto - Con slancio — Royal Liverpool Philharmonic Orchestra, Libor Pešek Peu commun ₲ 60
24/326 · Simple Symphony, Op. 4: I. Boisterous Bourrée — Norwegian Chamber Orchestra, Iona Brown Peu commun ₲ 60
25/326 · Simple Symphony, Op. 4: II. Playful Pizzicato — Norwegian Chamber Orchestra, Iona Brown Peu commun ₲ 60
26/326 · Simple Symphony, Op. 4: III. Sentimental Sarabande — Norwegian Chamber Orchestra, Iona Brown Peu commun ₲ 60
27/326 · Simple Symphony, Op. 4: IV. Frolicsome Finale — Norwegian Chamber Orchestra, Iona Brown Peu commun ₲ 60
28/326 · Variations on a Theme of Frank Bridge, Op. 10: Introduction and Theme — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
29/326 · Variations on a Theme of Frank Bridge, Op. 10: Adagio — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
30/326 · Variations on a Theme of Frank Bridge, Op. 10: March — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
31/326 · Variations on a Theme of Frank Bridge, Op. 10: Romance — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
32/326 · Variations on a Theme of Frank Bridge, Op. 10: Aria Italiana — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
33/326 · Variations on a Theme of Frank Bridge, Op. 10: Bourée Classique — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
34/326 · Variations on a Theme of Frank Bridge, Op. 10: Wiener Walzer — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
35/326 · Variations on a Theme of Frank Bridge, Op. 10: Moto Perpetuo — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
36/326 · Variations on a Theme of Frank Bridge, Op. 10: Funeral March — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
37/326 · Variations on a Theme of Frank Bridge, Op. 10: Chant — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
38/326 · Variations on a Theme of Frank Bridge, Op. 10: Fuge and Finale — Det Norske Kammerorkester, Iona Brown Peu commun ₲ 60
39/326 · Prelude and Fugue, Op. 29 — Norwegian Chamber Orchestra, Iona Brown Peu commun ₲ 60
40/326 · Lachrymae, Op. 48a — Lars Anders Tomter, Norwegian Chamber Orchestra, Iona Brown Peu commun ₲ 60
41/326 · Symphonic Suite from 'Gloriana' Op.53a: I. The Tournament — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
42/326 · Symphonic Suite from 'Gloriana' Op.53a: II. The Lute Song — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
43/326 · Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - March — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
44/326 · Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Coranto — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
45/326 · Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Pavane — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
46/326 · Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Morris Dance — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
47/326 · Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Galliard — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
48/326 · Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Lavolta — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
49/326 · Symphonic Suite from 'Gloriana' Op.53a: IV. Gloriana moritura — Royal Liverpool Philharmonic Orchestra, Takuo Yuasa Peu commun ₲ 60
50/326 · Cello Symphony Op. 68: I. Allegro maestoso — Steven Isserlis, City of London Sinfonia, Richard Hickox Peu commun ₲ 60
51/326 · Cello Symphony Op. 68: II. Presto inquieto — Steven Isserlis, City of London Sinfonia, Richard Hickox Peu commun ₲ 60
52/326 · Cello Symphony Op. 68: III. Adagio — Steven Isserlis, City of London Sinfonia, Richard Hickox Peu commun ₲ 60
53/326 · Cello Symphony Op. 68: III. Cadenza — Steven Isserlis, City of London Sinfonia, Richard Hickox Peu commun ₲ 60
54/326 · Cello Symphony Op. 68: IV. Passacaglia (Andante allegro) — Steven Isserlis, City of London Sinfonia, Richard Hickox Peu commun ₲ 60
55/326 · Sinfonietta Op.1: I. Poco presto ed agitato — Britten Sinfonia, Daniel Harding Peu commun ₲ 60
56/326 · Sinfonietta Op.1: II. Andante lento — Britten Sinfonia, Daniel Harding Peu commun ₲ 60
57/326 · Sinfonietta Op.1: III. Tarantella: Presto vivace — Britten Sinfonia, Daniel Harding Peu commun ₲ 60
58/326 · Matinées musicales Op.24: March — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
59/326 · Matinées musicales Op.24: Nocturne — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
60/326 · Matinées musicales Op.24: Waltz — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
61/326 · Matinées musicales Op.24: Pantomime — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
62/326 · Matinées musicales Op.24: Moto perpetuo — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
63/326 · Matinées musicales Op.24: Canzonetta — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
64/326 · Matinées musicales Op.24: Tirolese — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
65/326 · Matinées musicales Op.24: Bolero — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
66/326 · Matinées musicales Op.24: Tarantella — English Chamber Orchestra, Sir Alexander Gibson Peu commun ₲ 60
67/326 · Phantasy, op. 2 — Endellion String Quartet Commun ₲ 20
68/326 · Three Divertimenti: I. March — Endellion String Quartet Peu commun ₲ 60
69/326 · Three Divertimenti: II. Waltz — Endellion String Quartet Peu commun ₲ 60
70/326 · Three Divertimenti: III. Burlesque — Endellion String Quartet Peu commun ₲ 60
71/326 · Alla marcia — Endellion String Quartet Peu commun ₲ 60
72/326 · String Quartet no. 1 in D, op. 25: I. Andante sostenuto - Allegro vivo — Endellion String Quartet Commun ₲ 20
73/326 · String Quartet no. 1 in D, op. 25: II. Allegretto con slancio — Endellion String Quartet Commun ₲ 20
74/326 · String Quartet no. 1 in D, op. 25: III. Andante calmo — Endellion String Quartet Commun ₲ 20
75/326 · String Quartet no. 1 in D, op. 25: IV. Molto vivace — Endellion String Quartet Commun ₲ 20
76/326 · String Quartet no. 2 in C, op. 36: I. Allegro calmo senza rigore — Endellion String Quartet Commun ₲ 20
77/326 · String Quartet no. 2 in C, op. 36: II. Vivace — Endellion String Quartet Commun ₲ 20
78/326 · String Quartet no. 2 in C, op. 36: III. Chacony (Sostenuto) — Endellion String Quartet Commun ₲ 20
79/326 · String Quartet no. 3, op. 94: I. Duets (With moderate movement) — Endellion String Quartet Commun ₲ 20
80/326 · String Quartet no. 3, op. 94: II. Ostinato (Very fast) — Endellion String Quartet Commun ₲ 20
81/326 · String Quartet no. 3, op. 94: III. Solo (Very calm) — Endellion String Quartet Commun ₲ 20
82/326 · String Quartet no. 3, op. 94: IV. Burlesque (Fast, con fuoco) — Endellion String Quartet Commun ₲ 20
83/326 · String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La Serenissima) (Slow) — Endellion String Quartet Commun ₲ 20
84/326 · Holiday Diary, Op. 5 (1934) - I. Early morning bathe — Stephen Hough Peu commun ₲ 60
85/326 · Holiday Diary, Op. 5 (1934) - II. Sailing — Stephen Hough Peu commun ₲ 60
86/326 · Holiday Diary, Op. 5 (1934) - III. Funfair — Stephen Hough Peu commun ₲ 60
87/326 · Holiday Diary, Op. 5 (1934) - IV. Night — Stephen Hough Peu commun ₲ 60
88/326 · Three Character Pieces (1930) - I. Poco allggro vivace — Stephen Hough Peu commun ₲ 60
89/326 · Three Character Pieces (1930) - II. Poco andante grazioso — Stephen Hough Peu commun ₲ 60
90/326 · Three Character Pieces (1930) - III. Poco presto — Stephen Hough Peu commun ₲ 60
91/326 · Night Piece (Notturno) (1963) — Stephen Hough Peu commun ₲ 60
92/326 · from Sonatina romantica (1940) - Moderato — Stephen Hough Peu commun ₲ 60
93/326 · from Sonatina romantica (1940) - Nocturne — Stephen Hough Peu commun ₲ 60
94/326 · Twelve Variations on a Theme (1931) - Theme; variations 1-12 — Stephen Hough Peu commun ₲ 60
95/326 · Five Walztes (Waltzes) (1923-5, 1969) - I. Rather fast and nervous — Stephen Hough Peu commun ₲ 60
96/326 · Five Walztes (Waltzes) (1923-5, 1969) - II. Quick, with wit — Stephen Hough Peu commun ₲ 60
97/326 · Five Walztes (Waltzes) (1923-5, 1969) - III. Dramatic — Stephen Hough Peu commun ₲ 60
98/326 · Five Walztes (Waltzes) (1923-5, 1969) - IV. Rhythmic; not fast — Stephen Hough Peu commun ₲ 60
99/326 · Five Walztes (Waltzes) (1923-5, 1969) - V. Variations: Quiet and simple — Stephen Hough Peu commun ₲ 60
100/326 · Two Lullabies for Two Pianos (1936) - Lullaby — Stephen Hough, Ronan O’Hora Peu commun ₲ 60
101/326 · Two Lullabies for Two Pianos (1936) - Lullaby for a retired Colonel — Stephen Hough, Ronan O’Hora Peu commun ₲ 60
102/326 · Mazurka elegiaca, Op. 23, No. 2 (1941) — Stephen Hough, Ronan O’Hora Peu commun ₲ 60
103/326 · Introductions & rondo all burlesca, Op. 23, No. 1 (1940) - Introduction — Stephen Hough, Ronan O’Hora Peu commun ₲ 60
104/326 · Introductions & rondo all burlesca, Op. 23, No. 1 (1940) - Ronda alla burlesca — Stephen Hough, Ronan O’Hora Peu commun ₲ 60
105/326 · Suite for Violin and Piano, op. 6: Introduction — John Alley, Alexander Barantschik Commun ₲ 20
106/326 · Suite for Violin and Piano, op. 6: I. March (Allegro alla marcia) — John Alley, Alexander Barantschik Commun ₲ 20
107/326 · Suite for Violin and Piano, op. 6: II. Moto perpetuo (Allegro molto e con fuoco) — John Alley, Alexander Barantschik Commun ₲ 20
108/326 · Suite for Violin and Piano, op. 6: III. Lullaby (Lento tranquillo) — John Alley, Alexander Barantschik Commun ₲ 20
109/326 · Suite for Violin and Piano, op. 6: IV. Waltz (Alla valse. Vivace e rubato) — John Alley, Alexander Barantschik Commun ₲ 20
110/326 · Cello Sonata in C, op. 65: I. Dialogo (Allegro) — John Leneham, Moray Welsh Commun ₲ 20
111/326 · Cello Sonata in C, op. 65: II. Scherzo-pizzicato (Allegretto) — John Leneham, Moray Welsh Commun ₲ 20
112/326 · Cello Sonata in C, op. 65: III. Elegia (Lento) — John Leneham, Moray Welsh Commun ₲ 20
113/326 · Cello Sonata in C, op. 65: IV. Marcia (Energico) — John Leneham, Moray Welsh Commun ₲ 20
114/326 · Cello Sonata in C, op. 65: V. Moto perpetuo (Presto) — John Leneham, Moray Welsh Commun ₲ 20
115/326 · Six Metamorphoses after Ovid for Solo Oboe, op. 49: 1. Pan (Senza misura) — Roy Carter Commun ₲ 20
116/326 · Six Metamorphoses after Ovid for Solo Oboe, op. 49: 2. Phaeton (Vivace ritmico) — Roy Carter Commun ₲ 20
117/326 · Six Metamorphoses after Ovid for Solo Oboe, op. 49: 3. Niobe (Andante) — Roy Carter Commun ₲ 20
118/326 · Six Metamorphoses after Ovid for Solo Oboe, op. 49: 4. Bacchus (Allegro pesante) — Roy Carter Commun ₲ 20
119/326 · Six Metamorphoses after Ovid for Solo Oboe, op. 49: 5. Narcissus (Lento piacevole) — Roy Carter Commun ₲ 20
120/326 · Six Metamorphoses after Ovid for Solo Oboe, op. 49: 6. Arethusa (Largamente) — Roy Carter Commun ₲ 20
121/326 · Nocturnal after John Dowland, op. 70, I: Musingly (Meditativo) — Julian Bream Peu commun ₲ 60
122/326 · Nocturnal after John Dowland, op. 70, II: Agitated (Molto agitativo) — Julian Bream Commun ₲ 20
123/326 · Nocturnal after John Dowland, op. 70, III: Restless (Inquieto) — Julian Bream Commun ₲ 20
124/326 · Nocturnal after John Dowland, op. 70, IV: Uneasy (Ansioso) — Julian Bream Commun ₲ 20
125/326 · Nocturnal after John Dowland, op. 70, V: March-like (Quasi una marcia) — Julian Bream Commun ₲ 20
126/326 · Nocturnal after John Dowland, op. 70, VI: Dreaming (Sognanti) — Julian Bream Commun ₲ 20
127/326 · Nocturnal after John Dowland, op. 70, VII: Gently rocking (Cullante) — Julian Bream Commun ₲ 20
128/326 · Nocturnal after John Dowland, op. 70, VIII: Passacaglia (Misurato) — Julian Bream Peu commun ₲ 60
129/326 · Nocturnal after John Dowland, op. 70, IX: Slow and quiet (Molto tranqquillo) — Julian Bream Commun ₲ 20
130/326 · A Spring Symphony, op. 44: Part One. I. Introduction: Shine Out — London Symphony Orchestra, André Previn Peu commun ₲ 60
131/326 · A Spring Symphony, op. 44: Part One. II. The Merry Cuckoo — London Symphony Orchestra, André Previn Peu commun ₲ 60
132/326 · A Spring Symphony, op. 44: Part One. III. Spring, the Sweet Spring — London Symphony Orchestra, André Previn Peu commun ₲ 60
133/326 · A Spring Symphony, op. 44: Part One. IV. The Driving Boy — London Symphony Orchestra, André Previn Peu commun ₲ 60
134/326 · A Spring Symphony, op. 44: Part One. V. The Morning Star — London Symphony Orchestra, André Previn Peu commun ₲ 60
135/326 · A Spring Symphony, op. 44: Part Two. I. Welcome, Maids of Honour — London Symphony Orchestra, André Previn Peu commun ₲ 60
136/326 · A Spring Symphony, op. 44: Part Two. II. Waters Above! — London Symphony Orchestra, André Previn Peu commun ₲ 60
137/326 · A Spring Symphony, op. 44: Part Two. III. Out on the Lawn I Lie in Bed — London Symphony Orchestra, André Previn Peu commun ₲ 60
138/326 · A Spring Symphony, op. 44: Part Three. I. When Will My May Come — London Symphony Orchestra, André Previn Peu commun ₲ 60
139/326 · A Spring Symphony, op. 44: Part Three. II. Fair and Fair — London Symphony Orchestra, André Previn Peu commun ₲ 60
140/326 · A Spring Symphony, op. 44: Part Three. III. Sound the Flute! — London Symphony Orchestra, André Previn Peu commun ₲ 60
141/326 · A Spring Symphony, op. 44: Part Four. Finale: London, to Thee I Do Present — London Symphony Orchestra, André Previn Peu commun ₲ 60
142/326 · Hymn to St. Cecilia, Op. 27: I. In a garden shady this holy lady — Choir of King’s College, Cambridge, Sir David Willcocks Commun ₲ 20
143/326 · Hymn to St. Cecilia, Op. 27: II. I cannot grow — Choir of King’s College, Cambridge, Sir David Willcocks Commun ₲ 20
144/326 · Hymn to St. Cecilia, Op. 27: III. O ear whose creatures cannot wish to fall — Choir of King’s College, Cambridge, Richard Cross Commun ₲ 20
145/326 · A Ceremony of Carols, Op. 28: V. As dew in Aprille — Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks Commun ₲ 20
146/326 · Rejoice in the Lamb, Op. 30: For H is a spirit and therefore he is God — — James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger Peu commun ₲ 60
147/326 · A Hymn to the Virgin, for double chorus — Cambridge Girls Choir, Academy of St Martin in the Fields, Sir David Willcocks Commun ₲ 20
148/326 · Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a — Cambridge Girls Choir, Academy of St Martin in the Fields, Sir David Willcocks Commun ₲ 20
149/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: I. The Sweep's Song: "Sweep! Sweep!" (Audience Song I) (Audience, Clem & Black Bob) — Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Robert Lloyd, Richard Morton, Medici String Quartet, Philip Ledger Commun ₲ 20
150/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: II. Quartet: "Sweep this chimney!" (Miss Baggott, Rowan, Clem & Black Bob) — Heather Begg, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Robert Lloyd, Richard Morton, Mary Wells, Medici String Quartet, Philip Ledger Commun ₲ 20
151/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: III. Duet: "Now, little white boy!" (Black Bob & Clem) — Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Robert Lloyd, Richard Morton, Medici String Quartet, Philip Ledger Commun ₲ 20
152/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: IIIa. Hide and Seek: "Juliet! Juliet!" (Children) — Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Catherine Wearing, Medici String Quartet, Philip Ledger Commun ₲ 20
153/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: IV. Shanty: "Pull the rope gently" (Children) — Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Catherine Wearing, Medici String Quartet, Philip Ledger Commun ₲ 20
154/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: V. Ensemble: "Is he wounded?" (Sam & Children) — Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Sam Monck, Catherine Wearing, Medici String Quartet, Philip Ledger Commun ₲ 20
155/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: VI. Marching Song: "Sooty tracks upon the sheet" (Children, Miss Baggott, Black Bob & Clem) — Heather Begg, Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Robert Lloyd, Richard Morton, Catherine Wearing, Medici String Quartet, Philip Ledger Commun ₲ 20
156/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: VII. Trio: "Sam! Sam!" (Black Bob, Clem & Miss Baggott) — Heather Begg, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Robert Lloyd, Richard Morton, Medici String Quartet, Philip Ledger Commun ₲ 20
157/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: VIII. Aria: "Run, poor sweepboy" (Rowan & Children) — Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Catherine Wearing, Mary Wells, Medici String Quartet, Philip Ledger Commun ₲ 20
158/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: IX. Sammy's Bath: "The kettles are singing" (Audience Song II) (Audience, Rowan & Sam) — Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Catherine Wearing, Mary Wells, Medici String Quartet, Philip Ledger Commun ₲ 20
159/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: X. Ensemble: "O why do you weep" (Rowan, Sam & Children) — Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Sam Monck, Catherine Wearing, Mary Wells, Medici String Quartet, Philip Ledger Commun ₲ 20
160/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XI. Pantomine and — Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Medici String Quartet, Philip Ledger Commun ₲ 20
161/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XII. Scena: "Ah! … Blackguards!" (Miss Baggott) — Heather Begg, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Medici String Quartet, Philip Ledger Commun ₲ 20
162/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XIII. Finale: "Help! Help! She's collapsed!" (Miss Baggott, Rowan & Children) — Heather Begg, Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Catherine Wearing, Mary Wells, Medici String Quartet, Philip Ledger Commun ₲ 20
163/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XIV. The Night Song: "The owl, wide-winging" (Audience Song III) (Audience) — Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Medici String Quartet, Philip Ledger Commun ₲ 20
164/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XV. Aria: "Soon the coach will carry you away" (Juliet) — Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Medici String Quartet, Philip Ledger Commun ₲ 20
165/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XVI. Ensemble: "Morning, Sammy" (Children & Sam) — Catherine Benson, Choral Scholars of King's College, Cambridge, Finchley Children’s Music Group, Cato Fordham, Sam Monck, Catherine Wearing, Medici String Quartet, Philip Ledger Commun ₲ 20
166/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XVII. Trio And Ensemble: "Ready, Alfred?" (Tom, Alfred, Miss Baggott, Rowan & Children) Commun ₲ 20
167/326 · The Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XVIII. Finale: Coaching Song: "The Horses Are Champing" (Audience Song IV) (Omnes and Audience) Commun ₲ 20
168/326 · A Shepherd's Carol, for chorus Commun ₲ 20
169/326 · Ballad of Little Musgrave and Lady Barnard, for male chorus & piano Commun ₲ 20
170/326 · Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: In May, in brilliant Athens — Felicity Palmer, Jane Salmon, Melvyn Tan, Endymion Ensemble, John Whitfield Peu commun ₲ 60
171/326 · Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: O Gods of wrath — Felicity Palmer, Jane Salmon, Melvyn Tan, Endymion Ensemble, John Whitfield Peu commun ₲ 60
172/326 · Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: My time's too short, your highness — Felicity Palmer, Jane Salmon, Melvyn Tan, Endymion Ensemble, John Whitfield Peu commun ₲ 60
173/326 · Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule — Peter Pears, Benjamin Britten Rare ₲ 200
174/326 · Holy Sonnets of John Donne, op. 35: 2. Batter My Heart — Peter Pears, Benjamin Britten Rare ₲ 200
175/326 · Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares — Peter Pears, Benjamin Britten Rare ₲ 200
176/326 · Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me — Peter Pears, Benjamin Britten Rare ₲ 200
177/326 · Holy Sonnets of John Donne, op. 35: 5. What If This Present — Peter Pears, Benjamin Britten Rare ₲ 200
178/326 · Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved — Peter Pears, Benjamin Britten Rare ₲ 200
179/326 · Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners — Peter Pears, Benjamin Britten Rare ₲ 200
180/326 · Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me — Peter Pears, Benjamin Britten Rare ₲ 200
181/326 · Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud — Peter Pears, Benjamin Britten Rare ₲ 200
182/326 · On This Island, Op. 11: 1. Let the florid music praise! — Robert Tear, Philip Ledger Peu commun ₲ 60
183/326 · On This Island, Op. 11: 2. Now the leaves are falling fast — Robert Tear, Philip Ledger Peu commun ₲ 60
184/326 · On This Island, Op. 11: 3. Seascape — Robert Tear, Philip Ledger Peu commun ₲ 60
185/326 · On This Island, Op. 11: 4. Nocturne — Robert Tear, Philip Ledger Peu commun ₲ 60
186/326 · On This Island, Op. 11: 5. As it is, plenty — Robert Tear, Philip Ledger Peu commun ₲ 60
187/326 · Winter Words, Op. 52: 1. At Day-close in November — Robert Tear, Philip Ledger Peu commun ₲ 60
188/326 · Winter Words, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy) — Robert Tear, Philip Ledger Peu commun ₲ 60
189/326 · Winter Words, Op. 52: 3. Wagtail and Baby (A Satire) — Robert Tear, Philip Ledger Peu commun ₲ 60
190/326 · Winter Words, Op. 52: 4. The Little Old Table — Robert Tear, Philip Ledger Peu commun ₲ 60
191/326 · Winter Words, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story) — Robert Tear, Philip Ledger Peu commun ₲ 60
192/326 · Winter Words, Op. 52: 6. Proud Songsters (Thrushes, Finches and Nightingales) — Robert Tear, Philip Ledger Peu commun ₲ 60
193/326 · Winter Words, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin) — Robert Tear, Philip Ledger Peu commun ₲ 60
194/326 · Winter Words, Op. 52: 8. Before Life and After — Robert Tear, Philip Ledger Peu commun ₲ 60
195/326 · Canticle I: My Beloved is Mine, op. 40 — Ian Bostridge, Julius Drake Peu commun ₲ 60
196/326 · Canticle II: Abraham and Isaac, op. 51 — Ian Bostridge, David Daniels, Julius Drake Peu commun ₲ 60
197/326 · Canticle III: Still Falls the Rain, op. 55 — Ian Bostridge, Timothy Brown, Julius Drake Peu commun ₲ 60
198/326 · Canticle IV: Journey of the Magi, op. 86 — Ian Bostridge, David Daniels, Christopher Maltman, Julius Drake Peu commun ₲ 60
199/326 · Canticle V: The Death of Saint Narcissus, op. 89 — Ian Bostridge, Aline Brewer Peu commun ₲ 60
200/326 · The Plough Boy — Christopher Maltman, Julius Drake Peu commun ₲ 60
201/326 · The Salley Gardens — Christopher Maltman, Julius Drake Peu commun ₲ 60
202/326 · The Foggy, Foggy Dew — Christopher Maltman, Julius Drake Peu commun ₲ 60
203/326 · There's None to Soothe — David Daniels, Julius Drake Peu commun ₲ 60
204/326 · O Waly, Waly — David Daniels, Julius Drake Peu commun ₲ 60
205/326 · The Ash Grove — Ian Bostridge, Julius Drake Peu commun ₲ 60
206/326 · Greensleeves — Ian Bostridge, Julius Drake Peu commun ₲ 60
207/326 · Songs (2) by Thomas Hardy, for voice & piano: The Children and Sir Nameless Peu commun ₲ 60
208/326 · Songs (2) by Thomas Hardy, for voice & piano: If it's ever spring again Peu commun ₲ 60
209/326 · Beware!, early songs (3) for medium voice & piano: 1. Beware! Peu commun ₲ 60
210/326 · Beware!, early songs (3) for medium voice & piano: 2. O that I had ne'er been married Peu commun ₲ 60
211/326 · Beware!, early songs (3) for medium voice & piano: 3. Epitaph: The Clerk Peu commun ₲ 60
212/326 · Not even summer yet, song for high voice & piano Peu commun ₲ 60
213/326 · Songs (2) by W. H. Auden, for voice & piano: To lie flat on the back Peu commun ₲ 60
214/326 · Songs (2) by W. H. Auden, for voice & piano: Night covers up the rigid land Peu commun ₲ 60
215/326 · The Oxen, carol for female chorus & piano Peu commun ₲ 60
216/326 · Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84) Peu commun ₲ 60
217/326 · Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84) Peu commun ₲ 60
218/326 · The Gully, song for voice & piano (discarded from "Who are these Children," Op. 84) Peu commun ₲ 60
219/326 · Tit for Tat, song cycle for voice & piano: 1. A Song of Enchantment Peu commun ₲ 60
220/326 · Tit for Tat, song cycle for voice & piano: 3. Silver Peu commun ₲ 60
221/326 · Tit for Tat, song cycle for voice & piano: 5. Tit for Tat Peu commun ₲ 60
222/326 · Ballads (2), for 2 voices & piano: 1. Mother Comfort Peu commun ₲ 60
223/326 · Ballads (2), for 2 voices & piano: 2. Underneath the Abject Willow Peu commun ₲ 60
224/326 · Folk Song Arrangements: Sweet Polly Oliver — Robert Tear, Philip Ledger Peu commun ₲ 60
225/326 · Folk Song Arrangements: The Minstrel Boy — Robert Tear, Philip Ledger Peu commun ₲ 60
226/326 · Folk Song Arrangements: The Brisk Young Widow — Robert Tear, Philip Ledger Peu commun ₲ 60
227/326 · Folk Song Arrangements: Ca' the Yowes — Robert Tear, Philip Ledger Peu commun ₲ 60
228/326 · Folk Song Arrangements: The Lincolnshire Poacher — Robert Tear, Philip Ledger Peu commun ₲ 60
229/326 · Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions? — Robert Tear, Philip Ledger Peu commun ₲ 60
230/326 · Folk Song Arrangements: The trees they grow so high — Robert Tear, Philip Ledger Peu commun ₲ 60
231/326 · The Queen's Epicedium, for soprano or tenor & piano (Purcell Realization) Peu commun ₲ 60
232/326 · Purcell Realizations from Orpheus Britannicus: Sound the Trumpet — Felicity Lott, Ann Murray, Graham Johnson Peu commun ₲ 60
233/326 · Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: I attempt from love's sickness to fly Peu commun ₲ 60
234/326 · Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Lost is my quiet for ever Peu commun ₲ 60
235/326 · Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Fairest Isle Peu commun ₲ 60
236/326 · Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: What can we poor females do? Peu commun ₲ 60
237/326 · Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: I'll sail upon the Dog-star Peu commun ₲ 60
238/326 · Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Hears not my Phyllis (The Knotting Song), song, Z. 371 Peu commun ₲ 60
239/326 · Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Man is for the woman made Peu commun ₲ 60
240/326 · Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 1. Let sullen discord smile Peu commun ₲ 60
241/326 · Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 2. Why should men quarrel Peu commun ₲ 60
242/326 · Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 3. So when the glittering Queen of Night Peu commun ₲ 60
243/326 · Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 4. Thou tun'st this world Peu commun ₲ 60
244/326 · Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 5a. 'tis holiday / 5b. Sound Fame thy brazen trumpet Peu commun ₲ 60
245/326 · Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) Peu commun ₲ 60
246/326 · Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12 Peu commun ₲ 60
247/326 · Peter Grimes: Prologue. "Peter grimes!" (Hobson, Swallow, Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
248/326 · Peter Grimes: Prologue. "You sailed your boat round the coast" (Swallow, Peter, Mrs Sedley, Chorus, Hobson, Ellen) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
249/326 · Peter Grimes: Prologue. "Peter Grimes, I here advise you!" (Swallow, Chorus, Hobson, Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
250/326 · Peter Grimes: Prologue. "The truth ... the pity" (Peter, Ellen) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
251/326 · Peter Grimes: Prologue. Interlude I: Dawn — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
252/326 · Peter Grimes: Act: I, Scene I. "Oh! Hang at open doors the net, the cork," (Chorus, 1st Fisherman, Auntie, Boles, Balstrode, 2nd Fisherman, Rector, Nieces, Mrs Sedley, Swallow) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
253/326 · Peter Grimes: Act: I, Scene I. "Hi! Give us a hand!" (Peter, Boles, Balstrode, Ned, Auntie, Hobson) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
254/326 · Peter Grimes: Act: I, Scene I. "I have to go from pub to pub" (Hobson, Chorus, Ellen, Ned) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
255/326 · Peter Grimes: Act: I, Scene I. "Let her among you without fault cast the first stone" (Ellen, Hobson, Mrs Sedley, Ned) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
256/326 · Peter Grimes: Act: I, Scene I. "Look, the storm cone!" (Balstrode, Chorus, Ned, Boles) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
257/326 · Peter Grimes: Act: I, Scene I. "And do you prefer the storm" — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
258/326 · Peter Grimes: Act: I, Scene I. "They listen to money" (Balstrode, Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
259/326 · Peter Grimes: Act: I, Scene I. "What harbour shelters peace" (Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
260/326 · Peter Grimes: Act: I, Scene II. Interlude II: Storm — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
261/326 · Peter Grimes: Act: I, Scene II. "Past time to close!" (Auntie, Mrs Sedley, Balstrode, Boles, Nieces, Fisherman) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
262/326 · Peter Grimes: Act: I, Scene II. "Come on, boy!" (Balstrode, Chorus) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
263/326 · Peter Grimes: Act: I, Scene II. "Have you heard? The cliff is down" (Ned, Auntie, Mrs Sedley, Balstrode, Chorus) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
264/326 · Peter Grimes: Act: I, Scene II. "Now the Great Bear and Pleiades" (Peter, Chorus, Nieces, Boles, Balstrode, Auntie) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
265/326 · Peter Grimes: Act: I, Scene II. "Old Joe has gone fishing" (Ned, Chorus, Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
266/326 · Peter Grimes: Act: I, Scene II. "The bridge is down" (Hobson, Ned, Ellen, Boles, Auntie, Nieces, Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
267/326 · Peter Grimes: Act: II. Interlude III: Sunday morning — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
268/326 · Peter Grimes: Act: II, Scene I. "Glitter of waves and glitter of sunlight" (Ellen, Chorus, Rector) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
269/326 · Peter Grimes: Act: II, Scene I. "Child you're not too young to know" (Ellen, Chorus, Rector, Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
270/326 · Peter Grimes: Act: II, Scene I. "This unrelenting work" (Ellen, Peter, Chorus) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
271/326 · Peter Grimes: Act: II, Scene I. "Fool to let it come to this!" (Auntie, Ned, Boles, Chorus, Mrs Sedley, Balstrode, Lawyer, Swallow, Fisherwoman, Nices, Rector) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
272/326 · Peter Grimes: Act: II, Scene I. "People! ... No! I will speak!" (Boles, Chorus, Balstrode, Rector, Auntie, Ellen) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
273/326 · Peter Grimes: Act: II, Scene I. "We planned that their lives should have a new start" (Ellen, Rector, Mrs Sedley, Boles, Ned, Nieces, Auntie, Balstrode, Hobson, Swallow) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
274/326 · Peter Grimes: Act: II, Scene I. "Now is gossip put on trial" (Chorus, Mrs Sedley, Boles, Rector, Ned, Swallow) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
275/326 · Peter Grimes: Act: II, Scene I. "From the gutter" (Nieces, Auntie, Ellen) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
276/326 · Peter Grimes: Act: II, Scene I. Interlude IV: Passacaglia — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
277/326 · Peter Grimes: Act: II, Scene II. "Go there!" — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
278/326 · Peter Grimes: Act: II, Scene II. "In dreams I've built myself some kindlier home" (Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
279/326 · Peter Grimes: Act: II, Scene II. "Now! ... Now!" (Chorus, Peter, Boles, Rector, Swallow, Ned) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
280/326 · Peter Grimes: Act: II, Scene II. "Peter Grimes! Nobody there?" (Rector, Swallow, Ned) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
281/326 · Peter Grimes: Act: III. Interlude V: Moonlight — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
282/326 · Peter Grimes: Act: III, Scene I. "Assign your prettiness to me" (Swallow, Nieces, Ned) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
283/326 · Peter Grimes: Act: III, Scene I. "Mister Keene! Mister Keene! Can you spare a moment" (Mrs Sedley, Ned) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
284/326 · Peter Grimes: Act: III, Scene I. "Come along, Doctor!" (First Burgess, Burgesses, Rector, Mrs Sedley, Ellen, Balstrode) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
285/326 · Peter Grimes: Act: III, Scene I. "Embroidery in childhood was a luxury of idleness" (Ellen, Balstrode) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
286/326 · Peter Grimes: Act: III, Scene I. "Mister Swallow! Mister Swallow!" (Mrs Sedley, Auntie, Swallow, Hobson) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
287/326 · Peter Grimes: Act: III, Scene I. "Who holds himself apart, lets pride rise" (Chorus) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
288/326 · Peter Grimes: Act: III, Scene I. Interlude VI — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
289/326 · Peter Grimes: Act: III, Scene II. "Grimes! Grimes!" (Chorus, Peter) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
290/326 · Peter Grimes: Act: III, Scene II. "Peter, we've come to take you home" (Ellen, Peter, Balstrode) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
291/326 · Peter Grimes: Act: III, Scene II. "To those who pass the Borough" (Chorus, Swallow, Fisherman, Auntie, Boles) — Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Commun ₲ 20
292/326 · The Rape of Lucretia, op. 37: Act 1, Scene 1: "Rome is now ruled by the Etruscan upstart" (Male Chorus) — Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
293/326 · The Rape of Lucretia, op. 37: Act 1, Scene 1: "It is an axiom among kings" (Female & Male Chorus) — Sir Peter Pears, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
294/326 · The Rape of Lucretia, op. 37: Act 1, Scene 1: "Here the thirsty evening" (Male Chorus, Collatinus, Junius, Tarquinius) — Sir Peter Pears, Norman Lumsden, Denis Dowling, Frederick Sharp, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
295/326 · The Rape of Lucretia, op. 37: Act 1, Scene 1: "Lucretia! Lucretia! (Junius, Male Chorus, Collatinus) — Denis Dowling, Sir Peter Pears, Norman Lumsden, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
296/326 · The Rape of Lucretia, op. 37: Act 1, Scene 1: "With you two arm in arm again" (Collatinus, Tarquinius, Junius) — Sir Peter Pears, Frederick Sharp, Denis Dowling, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
297/326 · The Rape of Lucretia, op. 37: Act 1, Scene 1: Interlude "Tarquinius does not wait" (Male Chorus) — Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
298/326 · The Rape of Lucretia, op. 37: Act 1, Scene 2: "Their spinning-wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) — Joan Cross, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
299/326 · The Rape of Lucretia, op. 37: Act 1, Scene 2: "It is better to desire" (Bianca, Lucretia, Lucia, Female Chorus) — Flora Nielsen, Nancy Evans, Margaret Ritchie, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
300/326 · The Rape of Lucretia, op. 37: Act 1, Scene 2: "The oatmeal slippers of sleep" (Female & Male Chorus) — Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
301/326 · The Rape of Lucretia, op. 37: Act 1, Scene 2: "None of the women move" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia) — Joan Cross, Frederick Sharp, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
302/326 · The Rape of Lucretia, op. 37: Act 2, Scene 1: "She sleeps as a rose" (Female & Male Chorus) — Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
303/326 · The Rape of Lucretia, op. 37: Act 2, Scene 1: "Lucretia!... What do you want?" (Tarquinius, Lucretia) — Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
304/326 · The Rape of Lucretia, op. 37: Act 2, Scene 1: "Go, Tarquinius!" (Female & Male Chorus, Tarquinius, Lucretia) — Joan Cross, Sir Peter Pears, Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
305/326 · The Rape of Lucretia, op. 37: Act 2, Scene 1: Interlude "Here in this scene you see" (Female & Male Chorus) — Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
306/326 · The Rape of Lucretia, op. 37: Act 2, Scene 2: "Oh! What a lovely day!" (Lucia, Bianca) — Margaret Ritchie, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
307/326 · The Rape of Lucretia, op. 37: Act 2, Scene 2: "How hideous! Take them away!" (Lucretia, Bianca, Lucia) — Nancy Evans, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
308/326 · The Rape of Lucretia, op. 37: Act 2, Scene 2: "Flowers bring to every year" (Lucretia, Bianca) — Nancy Evans, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
309/326 · The Rape of Lucretia, op. 37: Act 2, Scene 2: "Too late, Junius" (Collatinus, Lucretia) — Norman Lumsden, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
310/326 · The Rape of Lucretia, op. 37: Act 2, Scene 2: "This dead hand lets fall" (Collatinus, Junius, Lucia, Bianca, Female & Male Chorus) — Norman Lumsden, Denis Dowling, Margaret Ritchie, Flora Nielsen, Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
311/326 · The Rape of Lucretia, op. 37: Act 2, Scene 2: "Is all this suffering and pain" (Female & Male Chorus) — Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall Peu commun ₲ 60
312/326 · Peter Grimes, op. 33: Act I, Scene 1: "Whatever you say... Let her among you without fault" (Ellen) — Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
313/326 · Peter Grimes, op. 33: Act I, Scene 2: "Now the Great Bear and Pleiades" (Peter) — Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
314/326 · Peter Grimes, op. 33: Act II, Scene 1: Interlude III: Sunday Morning (orchestra) — Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
315/326 · Peter Grimes, op. 33: Act II, Scene 1: "Glitter of waves" (Ellen, Chorus) — Joan Cross, BBC Theatre Chorus, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
316/326 · Peter Grimes, op. 33: Act II, Scene 1: "Wherefore, I pray and beseech you" (Rector, Chorus, Ellen) — Tom Culbert, BBC Theatre Chorus, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
317/326 · Peter Grimes, op. 33: Act II, Scene 1: "O all ye works of the Lord" (Chorus, Peter, Ellen) — BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
318/326 · Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home Commun ₲ 20
319/326 · Peter Grimes, op. 33: Act III, Scene 1: "Embroider in childhood" (Ellen) — Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
320/326 · Peter Grimes, op. 33: Act III: Interlude VI — Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
321/326 · Peter Grimes, op. 33: Act III, Scene 2: "Grimes!... Steady. There you are" (Chorus, Peter, Ellen) — BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall Peu commun ₲ 60
322/326 · Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy — Peter Pears, Benjamin Britten Commun ₲ 20
323/326 · Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle? — Peter Pears, Benjamin Britten Commun ₲ 20
324/326 · Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew — Peter Pears, Benjamin Britten Commun ₲ 20
325/326 · Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting — Peter Pears, Benjamin Britten Commun ₲ 20
326/326 · Folksong Arrangements, Vol. III "British Isles", for voice & piano: O Waly, Waly — Peter Pears, Benjamin Britten Commun ₲ 20