Handel: Samson

Album

Artiste
Harry Christophers
Année
2002
Pistes
72 · 3:21:37

Handel: Samson Harry Christophers

PisteRaretéValeur
1/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 1. Overture. Andante - Adagio - Allegro - Menuetto — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
2/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 2. Recitative. This day, a solemn feast to Dagon held, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
3/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 3. Chorus. Awake the trumpet's lofty sound! — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
4/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 4. Air. Ye men of Gaza, hither bring — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
5/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 6. Air. Loud as the thunder's awful voice, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
6/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 7. Air. Then free from sorrow, free from thrall, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
7/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 8. Recitative. Why by an angel was my birth foretold, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
8/72 · Samson, oratorio, HWV 57: Act 1. Scene 1. No. 9. Air. Torments alas! are not confin'd — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
9/72 · Samson, oratorio, HWV 57: Act 1. Scene 2. No. 10. Recitative. O charge beyond report, thought, or belief! — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
10/72 · Samson, oratorio, HWV 57: Act 1. Scene 2. No. 11. Air. O mirror of our fickle state! — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
11/72 · Samson, oratorio, HWV 57: Act 1. Scene 2. No. 12. Recitative. Whom have I to complain of but myself, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
12/72 · Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13A. Air. Total eclipse! No sun, no moon, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
13/72 · Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13B. Recitative. Since light so necessary is to life, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
14/72 · Samson, oratorio, HWV 57: Act 1. Scene 2. No. 14. Chorus. Oh first created beam! And thou great word — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
15/72 · Samson, oratorio, HWV 57: Act 1. Scene 2. No. 15. Recitative. Ye see, my friends, how woes enclose me round — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
16/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 16. Recitative. Brethren and men of Dan, say, where is my son, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
17/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 17. Recitative. Oh miserable change! Is this the man, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
18/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 19. Air. God of our fathers, what is man? — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
19/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 20. Recitative. The good we wish for, often proves our bane, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
20/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 21. Air. Thy glorious deed inspir'd my tongue — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
21/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 22. Recitative. Justly these evils have befall'n thy son; — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
22/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 23. Recitative. My griefs for this — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
23/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 24. Air. Why does the God of Israel sleep? — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
24/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 26. Chorus. Then shall they know, that he whose name — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
25/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 27. Recitative. For thee, my dearest son, must thou meanwhile / No. 28. Recitat — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
26/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 29. Air. Then long eternity shall greet your bliss — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
27/72 · Samson, oratorio, HWV 57: Act 1. Scene 3. No. 30. Chorus. Then round about the starry throne — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
28/72 · Samson, oratorio, HWV 57- Act 2. Scene 1. No. 31. Recitative. Despair not thus! You once were God's delight, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
29/72 · Samson, oratorio, HWV 57- Act 2. Scene 1. No. 32. Air. Just are the ways of God to man, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
30/72 · Samson, oratorio, HWV 57- Act 2. Scene 1. No. 33. Recitative. My evils hopeless are! One pray'r remains- — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
31/72 · Samson, oratorio, HWV 57- Act 2. Scene 1. No. 34. Air. Return, oh God of hosts! Behold - No. 35. Chorus. To dust his glory th — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
32/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 36. Recitative. But who is this, that so bedeck'd and gay — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
33/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 37. Air. With plaintive notes and am'rous moan, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
34/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 38. Recitative. Alas! Th'event was worse than I foresaw; — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
35/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 39. Air. Your charms to ruin led the way, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
36/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 40. Recitative. Forgive what's done, nor think of what's past cure — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
37/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 41. Duet. My faith and truth, oh Samson, prove, - No. 42. Chorus. Her faith and — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
38/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 43. Air. To fleeting pleasures make your court, - No. 42. Chorus. Her faith and — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
39/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 44. Recitative. Ne'er think of that! I know thy warbling charms — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
40/72 · Samson, oratorio, HWV 57- Act 2. Scene 2. No. 45. Duet. Traitor to love! I'll sue no more - Scene 3. No. 46. Recitative. She' — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
41/72 · Samson, oratorio, HWV 57- Act 2. Scene 3. No. 47. Air. It is not virtue, valour, wit, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
42/72 · Samson, oratorio, HWV 57- Act 2. Scene 3. No. 49. Chorus. To man God's universal law — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
43/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 50. Recitative. No words of peace, no voice enchanting fear, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
44/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 51. Air. Honour and arms scorn such a foe — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
45/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 53. Air. My strength is from the living God — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
46/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 54. Recitative. With thee! A man condemn'd, a slave enroll'd, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
47/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 55. Duet. Go, baffled coward, go, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
48/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 56. Recitative. Here lie the proff- if Dagon be thy God, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
49/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 57. Chorus. Hear, Jacob's God, Jehovah, hear! — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
50/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59A. Air. To song and dance we give the day, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
51/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59B. Chorus. To song and dance we give the day, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
52/72 · Samson, oratorio, HWV 57- Act 2. Scene 4. No. 60. Chorus. Fix'd in his everlasting seat, — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
53/72 · Act 3 - More trouble is behind: for Harapha — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
54/72 · Presuming slave, to move their wrath — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
55/72 · Reflect then, Samson — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
56/72 · With thunder arm'd, great God, arise! — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
57/72 · Be of good courage — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
58/72 · Thus when the sun from's wat'ry bed — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
59/72 · The Holy One of Israel be thy guide — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
60/72 · Great Dagon has subdued our foe — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
61/72 · What noise of joy was that? — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
62/72 · How willing my paternal love — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
63/72 · Your hopes of his deliv'ry seem not vain — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
64/72 · Noise call you this? — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
65/72 · Where shall I run? — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
66/72 · Ye sons of Israel, now lament — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
67/72 · Proceed we hence — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
68/72 · A Dead March — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
69/72 · The body comes — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
70/72 · Glorious hero, may the grave — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
71/72 · Come, come! — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20
72/72 · Let the bright Seraphim in burning row — George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers Commun ₲ 20